Category: Art

Beautiful Possibility Elixir Social at the West Side Market

Beautiful Possibility Elixir Social at the West Side Market

Do you feel worried about the future?   Do you experience depression, insomnia, exhaustion, or anxiety?  No – this is not an advertisement for a new drug, but an art project that explores “Americanitis.”  “Americanitis” is a condition that was first diagnosed in 1869 as a nervous condition resulting from rapid modernization.  This condition was later exploited by medicine shows that peddled “Americanitis Elixirs” that claimed that they would relieve stress and calm the nerves.

Artist Alison Pebworth is bringing awareness to Americanitis with her cross-country tour of her project Beautiful Possibility.  The show is a traveling exhibition in the form of the 19th century American Traveling Show.  The project’s goal is to engage people about what it means to be American.   For each tour stop, Pebworth creates a display of hand-painted posters that are in the style of Side Show/Wild West posters to re-tell American history. She also is interviewing people across America on their thoughts about “Americanitis.”

For the Elixir Social event, Pebworth partnered with some local farms in Cleveland including farmers from City Rising Farm, Erie’s Edge Farm, Gather ‘Round Farm, Let It Bee Gardens and the Possibilitarian Garden Project.  Each farm made a special “Cleveland Elixir.”    The elixirs were being served from 10 am until 6 at the West Side Market, with different farms serving their elixirs throughout the day.

I stopped by the Beautiful Possibility Elixir Social event in the afternoon and found the show and Elixir social setup in a stall at the end of the produce section of the market.

At the outside of the market, I was greeted by the first Possibilitarian garden and puppet theater, which had setup a full sensory elixir.    There was a cardboard structure, shaped kind of like an old-school phone booth, which you were invited to enter once you drank their elixir.

I was given a tiny handmade ceramic cup, which was filled with a pinkish drink that looked like juice.  I was directed to try it with a rose petal and to enter the booth.  The elixir tasted kind of like and herb flavored cherry juice, and it was slightly sweet.  I entered the booth to find some pictures and dried herbs attached to the walls.  I could hear some music that sounded like a piano that was far away.   I have to say – I felt different when I exited.

I talked to Diana and Daniel, the farmers from Possibilitairan garden, who had made the full sensory elixir.  Diana said in making it, they were thinking about the Americanitis project and wanted to use some calming herbs such as sweet woodruff in the drink. The elixir was made of many ingredients, which included kombucha, mulberry juice, lemon balm, sweet woodruff, clover, nettles, spinach, strawberries catnip, thyme, and other herbs.  She told me that eating the rose petal and drinking the elixir made a thick cinnamon flavor.

Diana and Daniel have a farm and puppet theatre in the Buckeye neighborhood in Cleveland.  I really liked the booth that they made, and I learned that the music I heard was from a small music box that someone cranked and made work while I was inside.  Lots of people at the market were interested in trying the elixir, and many would talk with the farmers about the elixir and project.

After experiencing this elixir, I entered the vegetable market area, where there were some of the posters hanging from the Americanitis project.  Some of the full color tour posters were hanging, and there was pleated red, white, and blue fabric on the tables. One of the posters that I liked featured a cowgirl trying to balance two baskets.  One basket held Dick Cheney, and the other held an Indian.  Over the image “Dangling Man, the American Challenge.  CLAIM YOUR DEMONS”  was written.   The posters and setup gave it a world fair/ sideshow look and feel.

There was another farm serving elixirs, and I met members from Let It Bee Garden who had made a Community Service Berry Potent Potion, and also had several other elixirs.  I was given another small ceramic cup, and tried the Community Service Berry Potent Potion, which tasted like berries and tea.  The label on the elixir said that it was made with passion and love, and was made for patient possibilities.  Julia, who is one of the farmers, was wearing a great hat that had various flower petals that covered the hat.

There were lots of people that stopped by to look at the posters, try the elixirs, and talk to the farmers and the artist who was there with the Americanitis surveys.  These opinion surveys were available for people to fill out.  Some of the questions include, “ Although the term has fallen out of use, do you think Americanitis still exists today? Are there new causes that may contribute to contemporary Americanitis?  Who in American society do you think suffers most and least from Americanitis?”  There also were sections where you could circle the causes that you believe may still contribute to Americanitis, and what symptoms might still stem from the condition, which listed anxiety, poor digestion, exhaustion, insomnia, and others.

I talked to Pebworth for a few minutes, and she told me about the other elixirs that had been served earlier in the day.  Earlier in the day, young people from City Rising farm had created a Mulberry Thyme” elixir, which was a thyme and mint sun tea. They added fresh mulberries as they served it, which made for a lively (and messy) elixir event.

To start the elixir social, Erie’s Edge Farm had served a Stretch Your Roots Sunrise Elixir from 8-9 am that was made from roots.  They had been weeding their gardens, and had found lots of roots from carrots, beet, and other veggies. They pulled these out, dried them, roasted them, and then ground this into a fine powder.   The hot elixir that they served had a chicory/ coffee like taste

Do I feel any different from the elixir event?    I think so.  It was really great to meet the farmers and to see so many people trying the elixirs and interacting with each other, with the artist, and with the farmers.  It is also nice to know that others are thinking about the stresses of life, and our pace of life today.

Alison Pebworth is in town through June 23, 2012.  Check out SPACES gallery website to learn more about the project, and the times that you can see the exhibition.

Image Source:
Kristen Baumlier

Links:

www.beautifulpossibilitytour.com

www.spacesgallery.org

 

 

A “Collective Cake” and Local Food – Artist and Cultural Producer Milanda Sipos

A “Collective Cake” and Local Food – Artist and Cultural Producer Milanda Sipos

At Camp Pixelache, the festival/unconference event that I attended last month in Helsinki, Finland, I got a chance to talk to Melinda Sipos, who was an artist in residence in the Pixelache Micro-Residency program. Melinda is from Budapest, Hungary, and has recently been doing projects about food and sustainability.

The group Pixelache turned 10 this year – and at the event there was to be a celebration of the group turning 10 years old.  Milanda organized the creation of a “collective cake.”  For this – participants were encouraged to bring a local ingredient from our home country.  These ingredients were going to be used to create a cake.

It turned out that there were so many ingredients – that Melinda had to create a cake that was kind of like ladyfingers – and then she setup a buffet of all of the ingredients that people brought.  I brought local honey from Ohio.  There was chocolate, chocolate noodles from Germany, jellies from Finland, England, and Estonia, several bottles of alcohol, and some other ingredients.

The other project that Milanda tested out was to test a data-visualization model of the food that was served in the cafeteria on the main Pixelache day at the Arbis center, where the event was held. She developed ideas around catering. She wrote about the project, “Usually catering is considered as a necessary element of an event, but we tend to take it for granted that we are served with food and drinks. This experiment focuses on two main questions: how catering affects the ecological footprint of the whole event (especially traveling) and can we balance this out with a joint effort? In addition the goal is also to raise awareness on what we eat by providing information on the ingredients (their “stories”) and through a special arrangement in the restaurant space.”

At the event – there was an amazing carrot soup, a mushroom soup, a pasta dish with fish, and another dish that Milanda worked with the cook at the cafeteria to source out local ingredients, and to keep track of the food miles of all of the food.    I had a gluten-free version of the soup – and it was amazing.

At 4 pm – it was time for the 10 year anniversary cake.  The cake and the ingredients were put out on a table.  Everyone took some cake, and then added ingredients to the cake a la carte.  I tested 3 kinds of honeys, had some great jam, also some chocolate.  It was a nice moment of the conference – with everyone talking, eating, and gathering around the food table.

Milanda told me about some of her work at Kitchen Budapest  – a center of art and technology, and also about her new project called Based on Pig which explores food and culture.  Based on the Pig is a project that has the goal to discover the Hungarian Kitchen, especially the  eating habits of the contemporary Budapest people using artistic research methods. She and her collaborators are exploring what stories, traditions, and legends a certain food, ingredient or living creature used in the kitchen has.  Questions they are exploring include, “What information is available online about food, and what do we face in the market?” The project aims to map the cultural framework of our food-related decisions and also to do some kitchen experiments.  They kicked off the project with the ingredient of pigs.  They plan to go after many other animals and vegetables with the project.

To learn more about her work, check out  a video interview with Milanda on Vimeo that Pixelache recently posted. You also can read about the project Pig, and learn more about some Hungarian food at www.baedonpig.com/en/.

 

Links:

Milanda Sipos @ Camp Pixelache Interview – on Vimeo

www.basedonpig.com/en/

Rest in Piece – Good Citizen Portable Flagpole/Cart, Portable Cheesekick Contraption, Oil Rig Hangers and Oil Toybox

Rest in Piece – Good Citizen Portable Flagpole/Cart, Portable Cheesekick Contraption, Oil Rig Hangers and Oil Toybox

Part of being a mid-career artist is that you end up with lots of old projects and art in your attic, studio, and storage areas.
Over time, I decide to keep only key elements or what I think are the best pieces and move the other work out of my space.
I recently recycled some of my old set lists from performances, donated some props and costumes from shows to the thrift store, and recycled some of my old video footage tapes that were not the final masters.

Each year I seem to value space more than keeping all my old objects. This past weekend was a big project – moving out some of my old steel sculptures and objects from projects.

This past weekend I made a trip to the scrapyard and brought some of my past steel objects which included:

– My Good Citizen Portable Flagpole/ Cart – which I used to wheel around Oakland, CA in the role of Good Citizen in the Good Citizen Project in 1994
– My Portable Cheesekick Contraption – from my Buns of Butter project (where you could put a huge hunk of cheese in it – and kick it as a workout)
– My Oil Rig Hangers and Oil Toybox – from my Stretching Oil Production Installation

For my steel objects I got $48.00 –  and a bunch of space in my basement and attic.

May they rest in piece.

 

 

 

Gallery Tank:   A Portable Jacket Gallery

Gallery Tank: A Portable Jacket Gallery

In the future, in a post apocalyptic time, what will the role of art be, and where will it be seen?

One possible answer to this question can be seen in the project called Gallery Tank, originating from Tallin, Estonia, which is a portable indie-gallery that is built inside of a jacket.  It has been designed to host artist works, and to be delivered to the audience directly.

Called a “Jackery,” the creater of the project, Ott Pilipenko, created the art gallery jacket which he wore and showed at Camp Pixelache in Helsinki, Finland last week.

The grey jacket that Pilipenko wore was grey, seemed to be made of a durable fabric good for the outdoors.  It had some zippers on it, and was covered with yellow and red caps.

He demonstrated how the jacket works, and invited us see the exhibition.  He unzipped an arm sleeve and showed us the artist’s name and the name of the show which was printed on the inside of the unzippered pocket.   We were invited to unscrew the yellow and red caps.  Inside of each cap was a small printed images of a small drawings that were printed on fabric.

After we opened one of the caps, we were invited to carefully blow hot air onto the image.  Some of the images would disappear – and some would not.  Each of the 10 “cells” were  2 cm in diameter, and could be opened and closed.

The current show in the jacket gallery is the work of Estonian artist Britta Benno which opened on May 16th.   The artists’ works and theme coincided with the Acadmey of Arts fashion show which had a theme  based on the end of the world “Blow away the bad stuff” concept which was clearly used in the design and execution of showing the art.

There also was a gift shop in Gallery tank, which when it was unzipped, held silkscreened pocket handkerchiefs that a number of us were able to get as a souvenir.

Pictures of the jacket, and a list of upcoming shows are listed on the Gallery Tank website, which also features a map that shows where the jacket and exhibition have been shown.

Image Source:
http://tank.kelder.ee
Links:

http://tank.kelder.ee

Vinay Gupta at Camp Pixelache:  Tools and Language

Vinay Gupta at Camp Pixelache: Tools and Language

As the opening lines of Do-Re-Mi from Sound of Music go, “Let’s start at the very beginning…”   I have many things to write about from my experience at Camp Pixelache in Helsinki last weekend – and I am going to start at the beginning.

The beginning of the festival started with a keynote talk by Vinay Gupta, who is one of the world’s leading thinkers on infrastructure theory and managing geopoltical risk.  He is an environmentalist and a sustainability activist. He developed the Hexayurt, the free/open source emergency shelter and recently published the book The Future We Deserve.

His talk was called Tools and Language – Why government can’t manage the 21st century, but we can.  In his talk he talked about the shifting balance of power between the State and Corporations, which is a huge part of the problems our democracies face in responding to issues like climate change.

He started the talk by talking about some lessons that he had learned, and by sharing some of the tools and projects he has developed that address issues of future survival and climate change.

He talked about the hexayurt structure, which is a six sided structure that can be built for cheap, is made out of plywood or similar materials, and  can cost less than a relief. It can be built anywhere in the world at any scale, and is an open source design.  The hexayurt started when someone asked Gupta if he could build a 6 sided structure based on the BuckyDome ( a geodesic dome) structure.  He worked on this – and came up with the first hexayurt structure.  He shared it with a few friends, and each year since then there have been more and more people building these structures.  It took 10 years for the hexyurt to be used on a larger scale.

Vinay used this as a way to demonstrate the lesson that “change is slow” and “lasting change chages people.”  He also talked about passive cooperation, and that the hexayurt structure was passed on from person to person, and the documentation and free licenses made it easy for people to use and access.

Vinay also shared a model he developed to support crisis management called Six Ways to Die. (6WTD.)  This model helps explain what needs to get done in a crisis.  Basically the six ways to die are:  Too hot, too cold, thirst, hunger, illness, and inury.  If you map out estiamtes of the thtreat in each area and any spystems or behaviors that need to be added to the situation to keep people safe, you can plan for emergencies.  He also talked about the crisis in Haiti, and how when you have different type of organizations trying to work together – it can be a “goat rodeo” or a mess – since the groups have different methods to get to the same goal of helping those in need in a crisis.

One last lesson that Gupta talked about that I found interesting was that having a controlled vocabulary and precise language is important.  Our language affects our thinking – and it is important to have a shared understood vocabulary.  Gupta talked about how the Occupy movement at first did not have this – and it was a bit of a mess when Occupiers would be on the news interviewed, etc.  Currently, Occupy is working on making a controlled vocabulary.  This vocabulary maps and shapes our thinking. And Gupta refered to the Whorf theory – which is the linguistic principle that the structure of  a language affects how we are able to concpetualize the world.

Gupta’s ideas are easy to access.  He has a blog, a wiki website, and many of his lectures and talks are on his sites.

They also taped and posted his lecture on Vimeo.  I recommend watching this –there is a part 1 and part 2 – and check out his lecture at http://vimeo.com/pixelache.

 

Links:

Vinay Gupta Talk at Pixelache – Vimeo Video Part 1 and  Vimeo Video Part 2

hexayurt.comhttp://hexayurt.com/

6 Ways to Die