Category: Art

Years – A Record Player That Can Read Tree Rings

Years – A Record Player That Can Read Tree Rings

Tree-rings can tell us stories about the lives of trees.  Tree rings can be analyzed for strength, thickness and rate of growth.  This information can give clues about the growth rate of the tree, and give information about droughts, fires, floods, or other natural events.

German artist Bartholomäus Traubeck has created a record-player which is capable of digitally reading tree-slices and translating them into piano music.   This record-player, called “Years,” plays slices of woods and uses the program Arduino to transform the rings into sounds.  For the piece, a camera takes an image of the tree ring and sends this to Arduino, a electronic programming and processing tool.  Traubeck programmed Arudiono to interpret the tree ring in terms of thickness, strength, and rate of growth which is mapped to a scale of the overall appearance of the wood.  This information is then mapped to piano sounds.

In the videos of the piece on Vimeo, you can see that the player plays various tree disks including a fir tree and an ash tree with a complex texture.

The resulting sounds  piece is an interesting interpretation of trees and sound.

Image Source:
Years –  on Vimeo

Links:

Years –  See and Hear on Vimeo

Bartholomäus Traubeck Website

Years on Creative Applications.net

 

Recology San Francisco:  Artists in Residents at the City Dump

Recology San Francisco: Artists in Residents at the City Dump

Recoogy San Francisco  is a unique Artist in Residence program in San Francisco, CA at the city’s waste management and transfer plant (also known as “the dump.)  In this program, artists are given an opportunity to work with discarded materials at the site, receive a stipend, and get access to a studio space at the Recology Solid Waste Transfer and Recycling Center.

Since it began in 1990, more than 85 professional artists and 20 student artists have done residencies.  During their residencies, artists have scavenging privileges, have 24-hour access to the art studio, and participate in some public programs which includes presentations to children and visitors.    At the conclusion of their residency, there is a two-day public exhibition and reception for the artists

Artists donate work to Recology, which might include donating a piece for the Sculpture Garden, which is a three-acre site with over 35 sculptures on the site.

The Artist in Residence program has roots in the work of artist Jo Hanson, who came to prominence in the 1970s began a personal practice of sweeping in front of her Lower Haight neighborhood home. She made work with litter, and eventually organizing city-wide street sweeping campaigns and tours of illegal dumping sites in the City.  She was eventually invited to visit the San Francisco dump, which led to her presenting the idea of the residency program.

Early artists in residence included sculptors William Wareham and Jim Growden who created large-scale, steel sculptures that today are located in the Recology sculpture garden and gallery. In the 1990s, social practice art forms emerged with Remi Rubel, who collaborated with kids from the Youth in Action Corps to create  large-scale bottle cap-covered mosaic mural.

There has been a variety of projects at Recology which include interactive pieces, installations,  sculptures, paintings, and photographs.  Artist-in-residence Andrew Junge (2005) developed a variety of work at Recology which included his piece, Styrofoam Hummer H1 (low mileage, always garaged), which is a life-size Styrofoam version of a Hummer.

In 2009, during his residency, Bill Basquin collected food scraps and documented fruits and vegetables as they broke down over time.  He created a sensory immersion chamber, called Dirt House where visitors could sit in a three by three foot redwood box that contained compost, in order to have an intimate  encounter with the composting process.

Suzanne Husky in 2010-2011 while in residence, explored the “back to the land” and living off the grid movements.  At Recology, she constructed “Sleeper Cells”—small, house-like tructures that had wheels and could be moved.  The pieces were made from wood lath, The two pieces completed during her residency—one a porcupine-shaped structure, the other an abstract, organic form—were both equipped with wheels for easy mobility. They were made from lath and were furnished with the cast-offs of consumer culture.

If you are interested in applying for a residency, or want to know more about the current artist in residence for 2012 you can check out the Recology website or blog.

Images:
Recovered Resource – Recology Blog

Links:

The Recology Artist in Residence Program

Recovered Resource – Recology Blog

 

The Art of Mali Wu:  Can a city be turned back into a lake again?

The Art of Mali Wu: Can a city be turned back into a lake again?

Mali Wu is an artist from Taiwan who makes and also curates work that explores ecological issues and doing art projects that collaborate with communities.

Her work By the River, On the River, Of the River, made in 2006, she worked with communities that lived along northern Taiwan’s Danshui River. In Taipei, everyone has heard of the Danshui River, but not many people actually know what’s currently around or in the river.  The Danshui River is formed by 4 smaller rivers, and for the project she did river tracing of each river by crossing through Taipei in different boats.  The participants examined what the current water level and quality was.

The projec which had a symbolic significance was done in collaboration with the city of Taipei and the county’s community colleges. After the project, each college formed a river preservation alliance, and discussions about the river began to occur.

In 2008, Wu developed her project Taipei Tomorrow As Lake Again, which was part of the 2008 Taipei Biennale.  The piece was meant to be a criticism of the high amounts of pesticides that are used at the large international gardening exposition, the Flora Expo, which Taipei hosted that same year and to bring attention to the affect climate change could have on Taipei.

300 years ago, the location of Taipei was swamp and grassland, and the Taipei Basin was a lake.  In Wu’s garden installation Taipei Tomorrow as a Lake Again, she wanted to address global warming issues, and visualize what the city would be like if it was to become a lake again.  Working with urbanist group, Organisation of Urban Re-s (OURs), Wu planted a mobile kitchen garden on the terrace of the Taipei Fine Arts Museum.   Potatoes, peppermint, and other vegetables and herbs were bordered with up-side-down beverage crates that served as pathways between the garden beds.  Exhibition visitors were invited to harvest the garden.

The project also was comprised of an installation and a series of workshops and actions which included  Eco-building, Bike Paradise, Farm City and Flood Taipei. These were designed to stimulate discussion and to motivate people to take a new look at Taipei’s urban policy.

Taiwan is a country that imports most of its food, but environment questions are not commonly discussed.  With her piece, Mali Wu is proposing that the City of Taipei work to allocate cropland in the city so that in the future the country can provide for itself.

When asked about the role of art in environmental issues Wu says,”  I think art stimulates the mind, but I wouldn’t compare an artist to an environmentalist… Environmentalists are focused in making changes; artists, on the other hand, tell the same story with a different medium, they also give the mind an alternative suggestion – this, I think, is the only difference between the two.”(1)

Image Source:
Taipei Biennial

Links/Sources:

(1) Interview with Wu Mali

Wu Mali at the Taipei Biennial

Flora Expo

 

 

 

 

 

Plants that can Call for Help and Glacier Embracing Suits: The Work of Kate Hartman

Plants that can Call for Help and Glacier Embracing Suits: The Work of Kate Hartman

Artist Kate Hartman explores human communication in her work by using wearable technologies and physical computing.  Some of her past work includes making muttering hats or clothes that communicate to the wearer.

Some of her pieces have explored  technology working with natural systems including being part of a team that developed  Botanicalls, a device that allows neglected plants to call and send Twitter messages for assistance.   Botanicalls was shown at MoMA a the “Talk to Me” exhibition last summer and was intended to be eventually sold at the design store, so that people could use it.  The piece was made with 3 collaborators, and started in 2006.

Botanicalls aims to open a new channel of communication between plants and humans, in an effort to promote successful inter-species understanding.   The artists are empowering both by inventing new avenues of interaction. Plants that might otherwise be neglected are given the ability to call and text message people to request assistance. People who are unsure of their ability to effectively care for growing things are given visual and aural clues using common human methods of communication.

Current projects of hers include  working with glaciers.  She got interested in glaciers due to personal experience, and also since they represent icons of climate change.  Hartman’s Glacier-Embracing Suit was a suit you could wear, and was designed to make it comfortable to embrace a glacier.

This suit explores  “body” language and non-verbal communication. Hartman writes that it is intended for awkward introductory glacier encounters, it acts as an “ice breaker”, better enabling a person to lie prone on the surface of the glacier and give it a hug. Worn on the front of the body, the reflective padded material serves to mediate the difference in temperatures between the human body and the glacial ice.

The suit is currently being used by a 18-year old documentary filmmaker working on a film called An Inconvenient Youth which is about kids and climate change.   She used the suit in Nepal while shooting.

Interested in wearable communication?  I recently listened to Hartman’s TED Talk, where she talks about her work, communication, and technology.

Image Source:
www.katehartman.com

 

Links:

Kate Hartman- The Art of  Wearable communicatiom- Ted Talk

www.katehartman.com

www.botanicalls.com/

 

 

A 10-Story Building Covered With 1,000 Recycled Doors – The art of Choi Jeong-Hwa

A 10-Story Building Covered With 1,000 Recycled Doors – The art of Choi Jeong-Hwa

Artist Choi Jeong-Hwa often works with recycled and found materials.  When asked about art he says, “I believe that everything is art. Every material found in the kitchen, your room, the streets — everything in everyday life can be art.”

Recently he worked with 1,000 recycled doors to transform a plain 10 story building into a bright patterned building in Seoul, Korea.  These plain medium sized, multi-story buildings are called huh ga bang,  and are everywhere in the city next to the old wooden, shingled houses.

The artist, who calls himself an “intruder,” works with ordinary objects in his installations and public projects.

Choi has worked with other found and recycled materials including trash.  He did a piece called Happy Happy Plastic Stadium, where he collected trash from the Olympic games and made a  large installation made of 1.7 million pieces of discarded plastic which covered a stadium in Seoul.

Image Source:
Choi Jeong-Hwa

 

Links:

http://choijeonghwa.com/

http://thecreatorsproject.com/creators/choi-jeong-hwa