Author: Kbaumlier

Kristen Baumlier’s work spans the full spectrum of interdisciplinary media, including performance, interactive installation, video and audio works.
Future Power Sources – From Plants?

Future Power Sources – From Plants?

When we think of biofuel – corn usually comes to mind.  There are many other plants that have qualities that make them possible future sources of fuels.  Some of these plants include castor bean, barley, mustard, sugarcane, switchgrass, tobacco, sorghum, algae, sunflowers, and peanuts.

The original 1970s appeal of biofuels was the opportunity during the oil crisis to move away from dependence on oil from other countries.  Later, it was seen as an opportunity to fight global warming – a way to make gas from plants, and with no emissions of carbon dioxide.

Today, the most common biofuel sources in the U.S. are corn, which is fermented into ethanol and blended into gasoline, and soybeans, which are converted to biodiesel. The ethanol, which stores less energy per gallon, tends to absorb water and is corrosive – people only use it if they are forced to or if it is cheap.

In Brazil, however, the price of ethanol got low enough for people to use it after the 1970s oil crisis, thanks to highly productive sugar plantations and distilleries in the country. Today Brazil is a biofuel superpower.   The ethanol made from sugar is more efficient, and less harmful on the environment than American ethanol distilleries, often fueled by coal.

In has been reported that today’s biofuel policies are not solving the climate or fuel crises but are instead contributing to food insecurity and inflation.  Oxfam calculates that rich country biofuel policies have dragged more than 30 million people into poverty, according to evidence that biofuels have already contributed up to 30% to the global rise in food prices.

“Biofuel policies are actually helping to accelerate climate change and deepen poverty and hunger. Rich countries’ demands for more biofuels in their transport fuels are causing spiraling production and food inflation,” said report author, Oxfam’s biofuel policy adviser Rob Bailey.  “If the fuel value for a crop exceeds its food value, then it will be used for fuel instead. Thanks to generous subsidies and tax breaks, that is exactly what is happening. Grain reserves are now at an all-time low.”

The biofuels being grown today are not an effective answer to climate change, Oxfam says. Instead, biofuels are taking over agricultural land and forcing farming to expand into lands that are important carbon sinks, like forests and wetlands. This triggers the release of carbon from soil and vegetation that will take decades to repay.

Today’s biofuel policies are not solving the climate or fuel crises but are instead contributing to food insecurity and inflation.  Another problem seen with the corn ethanol is that the biofuel use contributes to a 30% global rise to food prices, and contributes to the food crisis in some countries in the world.

“Biofuel policies are actually helping to accelerate climate change and deepen poverty and hunger. Rich countries’ demands for more biofuels in their transport fuels are causing spiraling production and food inflation,” said report author, Oxfam’s biofuel policy adviser Rob Bailey.

Another issue is that biofuels are causing agricultural land to expand, into lands that are “carbon sinks,” like forests and wetlands. This triggers the release of carbon from soil and vegetation that will take decades to repay.

Is Biofuels in our future?  The European Union currently has a mandatory 10 percent goal for transportation fuels such as biofuels, electricity and hydrogen is included in the renewable energy increase by 2020.

The directive offers incentives for more sustainable biofuels by allowing second-generation biofuels to be double-credited in the 10 percent target. Second-generation biofuels don’t compete with food or feed production, and include wastes, residues, nonfood biomass such as algae, wood residues or paper waste.

 

Links:

Oxfam’s report “Another Inconvenient Truth”

DOCUMERICA: Images of America in Crisis in the 1970s

DOCUMERICA: Images of America in Crisis in the 1970s

At the end of the 1960’s, the rapid development of industry and the unchecked land development began to take a noticeable toll on the environment. Air, noise, and water pollution seemed to be on the rise, and people began to call for action.

In November 1971, the newly created Environmental Protection Agency (EPA) launched a massive photo documentary project to record these changes.  Called DOCUMERICA, more than 100 photographers were hired to document specific environmental issues, to capture images of everyday life, and to show that moment in history. By 1974, more than 80,000 photographs had been produced.  The images framed environmental problems such as noise, water and air pollution, but also health problems and social decay.
The project also collected images of American making changes and creating positive change in their surroundings.

The project was the United States first serious examination of the decay of the natural environment   Gifford Hampshire was the EPA Project director for DOCUMERICA and described the inspiration of the project as, “It was an exciting time. The public was expecting results.”  Hampshire wrote in his memoir that the EPA had worked to close down the big offenders of industrial pollution, but that it became clear that ordinary people were responsible for many pollution issues.

The project was geographic in nature, with photographers working in one area of the U.S. usually where they lived and worked as professional photographers.  Exhibits of the images were shown at EPA facilities and other small venues until the early 1980s.

The images are really eye-opening today.  Images of cities with smog, subways with graffiti, a town with 4 nuclear reactors in the background – paint a picture of the environment as it was in the 1970s. Looking at them today also shows that we have made some progress in terms of protecting the environment, and in dealing with pollution.

The images can be seen on the Documerica Catalogue website, and there is also a great selection of 46 images on the Atlantic’s website.

Image Source:
DOCUMERICA Project

 

Links:

DOCUMERICA  Images of Crisis and Cure in the 1970s

Archival Research Catalogue – Documerica

46 selected pictures on The Atlantic DOCUMERICA: Images of America in Crisis in the 1970s

 

Do you still dare to dream?  Check out An Awesome Book and get inspired

Do you still dare to dream? Check out An Awesome Book and get inspired

Dallas Clayton is an illustrator who wrote a book for his son about the idea of dreaming big and never giving up. Entitled An Awesome book, he put it online, and as Clayton writes, “my whole life changed forever.”

The book starts with these 4 pages, “ There are places in the world where people do not dream.. of rocket –powered unicorns… of magic watermelon boats… and musical baboons. …” The illustrations have a hand-made whimsical look, and the book goes on to talk about those who forget to dream, those who give up, and that you can dream whatever you want.

A simple message, but when I checked out the book online, it hit home with me .

How often do I think of ideas that might be impossible?  Am I too quick to discard what could be a good idea?  A car that runs on jellybans? Thinking of feasibility too early in coming up with ideas?

Clayton started a foundation to give away one book for every copy of An Awesome Book that he sold. In an effort to promote children’s literacy by encouraging kids to dream ,the books are delivered directly and distributed to schools, hospitals, libraries, camps and shelters both domestically and worldwide.

Today he writes children’s books for a living and is frequently on book tours, traveling the world reading to kids.

Need some inspiration to dream?  Clayton has a website and blog where his new books and illustration work can be seen and read.

Image Source:

Images by Dallas Clayton

Links:

An Awesome Book – Read the book Online

Very Awesome World Website

Dallas Clayton Website

Windowfarmers R&D-I-Y: Edible Gardens For Urban Windows

Windowfarmers R&D-I-Y: Edible Gardens For Urban Windows

A Windowfarm is a vertical, hydroponic growing system that allows for year-round growing in the windows of your house or apartment. It lets plants use natural window light, the climate control of your living space, and organic “liquid soil.” Using a hydroponic system, nutrient water is pumped bottle to bottle, helping feed the roots.  The Windowfarm allows you to grow food all year, while maximizing space.

Britta Riley and Rebecca Bray are the artists behind the Windowfarm project. The first Windowfarm system produced 25 plants and a salad a week in mid winter in a dimly lit 4’ x 6’ NYC window.

With the Windowfarm project, they developed a Windowfarm kit that you can purchase to make your own Windowfarm, as well as providing directions on how to build your own.  They also built a website that supports an online community of windowfarmers around the world.  Online, growers can share ideas, and work to get better at growing food in the local conditions of inside the home.

Riley and Bray call it R&D-I-Y, or Research & Develop It Yourself.   On the website, there are changing designs for vertical hydroponic systems.  Users propose experiments, test techniques, and contribute to developing a shared knowledge base.  Currently the website has an online community of 25,872 Windowfarmers from around the world.

The goal of the project is to empower urban dwellers to grow some of their own food inside year-round and to empower citizens to collaboratively & openly innovate online toward more sustainable cities and improved urban quality of life.

Researchers have argued that for someone to grow some of his/her own food is the most effective action an individual can take for environment, not only because of the food industry’s heavy carbon footprint but also because participating in agricultural production cultivates a valuable skill set around sustainability issues. Many neighborhoods (particularly low income ones) in cities around the world are considered food deserts, meaning little fresh food is easily accessible. Residents tend to consume processed, packaged, and canned food having depleted nutrients.  The Windowfarm project explores how people in cities can explore alternatives to growing and getting food.

The project has grown, and Britta Riley has stayed with the project full time since it started.  Bray is working on other projects but serves on the project’s board. Sales of windowfarm kits, sourced locally in New York, and donations (such as those from a Kickstarter campaign) help fund the project.

Image Source:

Windowfarm Project

 

Links:

Windowfarms website

Download the Windowfarms Project Look Book (3mb)

Research and Develop it Yourself Website

Britta Riley TED Talk: A Garden in my Apartment

Britta Riley and Rebecca Bray Artist website

 

Rare Botanical Prints on View and For Sale – Saturday December 10th

Rare Botanical Prints on View and For Sale – Saturday December 10th

Last week I stopped by the library at the Cleveland Botanical Garden (CBG) and learned about the upcoming sale of botanical art books, rare prints, and posters which is happening this Saturday December10th in the Eleanor Squire Library.  Each year the library has this sale to help raise funds for CBG.

I got a sneak peak at some of the prints, which included some hand colored lithographs,  some rare Mary Vaux Walcott  prints and some original seed catalogue prints.  Gary Esmonde, librarian explained to me that the Walcott prints are extremely rare.  They come from a 5 volume set and are rarely split up, either as books or as individual prints.

I got a look at some of the smaller prints that are for sale which included some prints from the late 1800’s, and were various plants and flowers.  You could see the plate marks on the print, and the fine lithograph lines lend a quality of detail only seen in prints.   One of my favorite prints included a lithograph of a Picotee flower, which has lots of petals in an interesting arrangement.

Some of the books for sale have 30-40 prints inside of them (so you could split the book up later if you want a series of prints), and there are over 160 single prints that will be on display and for sale.

Want to buys some prints – or just take a peek at some interesting botanical prints and books?  The sale is open from 10am-5pm, and is free with CBG admission.

For more information, call 216 707-2812 or contact librarian Gary Esmonde at gesmonde@cbgarden.org.

Image Source:

Prints from the CBG library

 

Links:

Cleveland Botanical Garden

Rare Print Sale @ CBG Information Event Page