Author: Kbaumlier

Kristen Baumlier’s work spans the full spectrum of interdisciplinary media, including performance, interactive installation, video and audio works.
Food Font @ CIA on Thursday April 26th in the Student Lounge

Food Font @ CIA on Thursday April 26th in the Student Lounge

On Thursday April 26th is the first in-person activity related to my new project Food Font.

Anyone who is eating lunch in the student lounge at school  will be invited to participate.  The plan is to have interested students, faculty and staff to work on making  2 CIA (Cleveland Institute of Art) food alphabets.  People will be invited to make a letterform out of some of their lunch food.  Each letter  will be photographed and will be part of the 2 CIA font sets that will be used in the Food Font interactive design tool that I am developing this Summer.

We will be creating 2 fonts:
The CIA Vending machine food font (made of food from the vending machines)
The CIA Packed Lunch font (made of food from food from packed lunches)

Food Font is a project comprised of food and design workshops, font making activities and the use of the interactive online design tool Food Font which will be accessible at www.foodfont.com.   The project supports education, interaction, and communication about food, health, and design.

I’m excited to do this first in-person activity and to test out some of the techniques I will be making into printed directions and resources so that others can do a Food Font workshop.  We’ll see how it goes!

 


Attract, Engage, and Extend : Designer Christine Enderby

Attract, Engage, and Extend : Designer Christine Enderby

Today I attended a lecture by Christine Enderby, the Creative Director of Ziba that was part of the  Design Matters Lecture Series at the Weatherhead School of Management. Enderby 
works at the design company Ziba, which is a globally respected design and innovation company based in Portland. At the lecture she shared some examples of guiding multidisciplinary teams.  Her clients range from working with Rubbermaid, Procter & Gamble, Kandoo, Pampers, Olay, Borghese, and Costco and Kirkland Signature.

In her lecture, she talked in depth about a case study with a company that wanted to bring their product to Japan. She could not officially say the name but it seemed like it was Tupperware.  She talked about how design is people-centric, and that getting insight into the consumer is integral to the design process. Her team identified it was important to work with a group of the Japanese population called the professional housewife to determine what was their values, habits, and aspirations.  They gave some of the housewives an assignment to document their day, write about their relationship to food and their family, and learned some interesting things.  In Japan space is at a premium – and it is considered a “vertical” society.  Many of the women would file plates in a drawer, and storage and things fitting in the fridge and other places that they had was important  They also learned that using ceramic and quality pieces at the table was important.

The outcome of their study was a profile of who their customer is,  what is their cultural background, and what latest trends they find interesting.  The outcome was that the housewives valued performance, precision and tradition and had aspirations of care, order, and to successfully complete the task of preparing and storing food.

The team also learned that the current Tupperware containers were considered to be high quality in Japan, but they did not fit into the storage and refrigerators in the home.

We did not see examples of what was going to be developed for the Japanese market out of this research – but Enderby mentioned that it would be smaller and out of new materials that might look like ceramic or other quality materials.

Enderby in her presentation mentioned several times the idea of “attract, engage, and extend” and that it is necessary to get awareness, to give more than an initial benefit, and to create depth and ways to extend awareness past a item or product.

I am currently starting a new project called Food Font Food which is a project comprised of food and design workshops, font making activities and the use of the interactive online design tool Food Font.  The project supports education, interaction, and communication about food, health, and design.  The talk today had some good food for thought about building a brand, doing research, and  getting inspiration which I plan to think about applying in the development of my design tool and project.

Image Source:
Tupperware – Japanese site and Kristen Baumlier

Links:

Tupperware – Japanese site

Ziba

 

 

A Park Underground, The Delancey Underground Project

A Park Underground, The Delancey Underground Project

Where can you put another park in Manhatten?   In a city where space is at a premium the team behind the Delancey Underground project has the goal to convert an underground unused trolley terminal beneath Delancey Street into a public park that has been nicknamed the “LowLine.”

The location of the new park is the Williamsburg Trolley Terminal that opened in 1903 and was in service until 1948 when streetcar service was discontinued.  It has been unused for over 60 years and is next to an existing subway track – so that  future park visitors and subway riders will interact daily.  The project has been inspired by the success of another unusual park called the High Line, which is a public park built on an historic freight rail line  and is elevated above the streets on Manhattan’s West Side.

Plans for the park are to transform the 60,000 square feet (1.5 acres) of terminal space into a park space by using new green.  Central to the design is the use of solar technology that uses innovative fiber optics to reflect light underground which saves electricity and reduces carbon emissions.  It also creates an environment where plants, trees, and grasses can thrive indoors.

Digital rendering of the space shows a unique space where trees, cobblestone floors, and state of the art fiber optics create a unique environment.  Currently the project is seeking funding to develop a demo of the solar technology and to create a model of the community park.  The team behind the project did a Kickstarter campaign and raised  $155,186 by theirgoal date of April 6th.

Plans for the park are to have community events in the space including art exhibitions, farmers’ markets, lectures, and events.  More images of the project can be seen at the Delancey Underground website and also at the Kickstarter project page.

Image Source:
delanceyunderground.org

Links:

Kickstarter Page – lowline-an-underground-park-on-nycs-lower-east-side

delanceyunderground.org

http://www.thehighline.org

Earth Day: Where Are We Now?

Earth Day: Where Are We Now?

Today is Earth Day – the day that marks what is considered by many to be the birth of the modern environmental movement.  In 1970 cars were big, factories pumped out smoke and sludge, and air pollution was visible in many cities.   Earth Day founder Gaylord Nelson, who was a U.S. Senator from Wisconsin, witnessed the ravages of the massive 1969 oil spill in Santa Barbara, California.   Inspired by the rising student anti-war movement going on at the time, he realized that a similar type of energy could be applied to developing public consciousness about air and water pollution.  Nelson told the national media that there was going to be a national teach-in on the environment worked to assemble a national staff of 85 people to promote Earth Day events across the country.

On April 22, 1970, 20 million Americans went outside to the streets, parks, and auditoriums to demonstrate for the health of our natural environment.  There were thousands of colleges and universities that organized protests against the deterioration of the environment. Other groups rallied around issues such as oil spills, polluting factories and power plants, raw sewage, toxic dumps, pesticides, freeways, the loss of wilderness areas, and the extinction of wildlife.

Out of the first Earth Day, the United States Environmental Protection was created.  The  Clean Air, Clean Water, and Endangered Species Acts were created.

Since 1970, there has been some years when there were campaigns for Earth day which included 1910 when Earth Day went global and mobilized 200 million people in 141 countries to rally around the environment. Earth Day 1990 helped promote recycling efforts worldwide.  In 2000, Earth day focused on global warming and used the Internet to organize activists, but also featured a talking drum chain that traveled from village to village in Gabon, Africa while hundreds of thousands of people gathered on the National Mall in Washington, DC.

The environmental moved has shifted from protests and conflict to legislation.  I am a member of several environmental groups, and I get a few emails each week that ask me to sign a petition or send a message to my senator or representative.

My students seem to have a “take it or leave it” view about the environment.   I have some students that say that they “hate recycling” and that global warming is a made up issue.  They have grown up with a barrage of messages about being green, recycling, and the environment and for many of them this has made many of  them feel apathetic about these issues.

Where are we now?  Fracking is coming to Ohio, one of my students made a anti-recyling video,  and I got 2 emails  to sign petitions in my inbox.

Image Source:

csudigitalhumanities.org (Image of Cleveland in 1970 and 2012)

Art on Fire – Italian Museum Director Burns Art in Protest

Art on Fire – Italian Museum Director Burns Art in Protest

Earlier this year, artist and curator Antonio Manfredi announced he would set fire to the permanent collection of the Casoria Contemporary Art Museum, located outside of Naples,  to protest the lack offunding of the arts in Italy.

Earlier this week he went into action.  With live webcams running, he set fire to painting by French artist Séverine Bourguignon, who watched the ceremony via Skype. A second painting  was scorched by Neapolitan artist Rosaria Matarese last Wednesday, as the artist again watched via webcam.

Manfredi announced that he intends to burn three paintings a week as a form of protest.  He hopes that the actions will bring attention to the lack of support for cultural projects and will get the government to give funds to the museum.

His actions are being criticized for setting up a demand that the Italian government will not be able to respond to, since Italy is currently being challenged with issues around the euro and tax hikes, pension hikes, and an increase in the retirement age has been implemented to help remedy the economic situation.

Will all 1000 paintings in the collection be burned or will funding go to the museum? The museum’s blog has a big image that says “CAM Art War,” – and as of today there are plans to burn paintings next week.

Image Source:
rt.com

Link:

Casoria Contemporary Art Museum Website