Category: Energy

Got sauerkraut?  Sauerkraut Powered Robots

Got sauerkraut? Sauerkraut Powered Robots

Earlier this year, artist and programmer Jesse Hemminger organized a series of five potluck dinners at his apartment. He asked friends to bring something to eat or drink, and to bring a canning jar or empty glass spaghetti sauce jar.  He also asked them to write and bring a piece of paper something that they were holding onto and knew they needed to let go of.

At the potluck, everyone filled their jar with shredded cabbage and salt.  Hemminger let everyone know that the cabbage would ferment and transform into homemade sauerkraut.  He collected all of the sheets of paper and later shredded, pulped, and transformed them into a fresh new sheet of paper which Hemminger planned to make into a piece of art.

Sauerkraut is acidic, and can become a battery similar to lemon or potato batteries that are often created as a science experiment in the classroom.  The chemical reaction of the copper and zinc electrodes put into the acidic food creates an electrical charge.  From his potluck event, Hemminger decided to make robots powered by sauerkraut.   He also decided to have them draw on the paper that he made out of his friends papers written with the things they wanted to let go.

He has shown the sauerkraut robot drawing machines at a couple of gallery shows this year, and also this past weekend at the Ingenuity Festival in Cleveland.   I was doing a project behind him, and I watched as lots of visitors checkd out his sauerkraut batteries and  his robots as they made marks and drawings on the paper.

The small robots look like insects and have small pieces of lead attached to them.  They hop or skip around on paper while making graphite marks on the paper.  One draws lines, another makes circles.  The resulting drawings are abstract and the food batteries are a play on the “power of food.”

Image Source:
The Sauerkraut Project Blog

Links:

The Sauerkraut Project Blog

Video – The Sauerkraut Project

Jesse Hemminger Website

 

 

PhoEf –  Edible and Sustainable Solar Cells…. In Your Mouth

PhoEf – Edible and Sustainable Solar Cells…. In Your Mouth

When I was at the Camp Pixelache event in Helsinki, Finland in May I learned about a unique project involving energy and food. On the Pixelache website, it had an article that talked about a past workshop called  Temporary photoElectric Digestopians WorkLab which was aco-creation worklab with research based experimentations

on the transformation of light energy into electric energy with food.   For the workshop, the participants worked with edible materials to create ‘e-tapas’ of different aesthetics and tastes by creating edile solar cells.  The aronia berry was used, which is a sustainable power source for both the body and electronic devices.

I did some research on the worksnhop and project, and learned that PhoEf is the work Bartaku who does projects that explore both the micro and macro realms of Photovoltaics, which is the conversion of light energy into electrical energy.

On the project page of his website, Bartaku writes that, “PhoEf emerges from a personal, transversal flight through the interconnected worlds behind and around photovoltaics; a technology based on A.E. Becquerel’s 1839 observation of the photovoltaic effect… PhoEf  is an attempt to reach, inspire and connect researchers, developers and artists.”  I also found an interesting five minute video of an interview with Bartaku, which helped me better understand the project and how it works.

Solar cells can be expensive, so Bartaku was interested in using simple technology to create cheaper and sustainable solar cells.  For the experiments pigments from plants (which can be natural or synthetic), electrolites, and  graphite or carbon are mixed together and squeezed between glass plates – making a solar cell.

Since you design the cell, which is a temporary photoelectric cell, you can choose the shape, color, and other design elements.   In the workshops that he leads, people make a cell, put it on their tongue, and then turn towards a light.  The result is an electric sensation of the tongue as the energy hits the cell and the tongue.

The goal of the workshops is to share the technology and idea with others who are not familiar with making energy and solar cells.   Bartaku hopes that other artists might think more about energy sources in their work, and make solar cells to power installations, outdoor activites, and elements used in performances.

His goal is to eventually make a solar cell made of 100 percent edible ingredients using the principles from the realms of alchemistry, photovoltaics, and cooking.

There is a flickr site that has photos from one of the workshops, which features lots of pictures with people with strange color shapes in their mouths.  I am very interested in this idea and project, and hope to be able to attend a workshop in the future.  Informaiton about making a PhoEf is on Bartaku’s research site, so go head and see if you can get your solar on!

Image Source:
PhoEf Project – Images on flickr

Links:
Video with Bartaku talking about PhoEf Project on Cobra TV

PhoEf Research Page – libarynth.org

PhoEf Project – Images on flickr

 

Titusville and Oil City, PA:  The Site of the First Commercial Oil Well

Titusville and Oil City, PA: The Site of the First Commercial Oil Well

Two weeks ago I went back to the Titusville/Oil City area in Western Pennsylvania.  This was my first visit to the area since a few years ago when I was doing some video shoots for my Petroleum Pop Princess projects.

Titusville is the site of the first commercial oil well, and the area where one of the first oil booms occurred.  In the late 1800s, Sir William Drake drilled for oil, and as the books say, “ the valley was never the same. “  Oil rigs popped up everywhere.

Oil City, which is nearby had many citizens who had come from Germany, and knew how to make wooden barrels.  This led to Oil City becoming the place where barrels for the oil got made, and the area became a huge producer of oil.

Both Titusville and Oil City have museums dedicated to oil history and the history of the region.  Oil is still drilled in the area – in a few wells that are in the area.

Whenever I see Oil Creek, I always think back to stories that I read that said that native Americans in the area found a gooey black substance at the edges 47 mile waterway. The black substance would be soaked up with pieces of cloth, put onto sticks and used as a mobile light source.

At the Drake Well Museum in Titusville, there is a historical reconstruction of the Drake Well, with moving and working parts.  This rig is a wooden hut structure, with a mechanism that gets oil out from the ground.  It does so while making a loud banging sound that goes off every 15 seconds.

When we were hiking in the area – we could hear the well from miles away.  It is really loud – and though I had heard it last time I was in the area, I had forgotten how loud it is.  I could only imagine how much noise pollution there would be with many wells working.

At the gift shop, I picked up some more souvenir samples of petroleum from the area.  It is not from the Drake well, but from a working well that is nearby.  If you participate in my Petroleum in Me and On Me performance next month at the Infringement Festival in Buffalo, NY – you might just win one.

How was the hike?  It was great.  We saw lots of ferns, frogs, and a raccoon.  Also four other hikers.

 

Links:

www.drakewell.org/

 

 

Partnered: We Are All Pests, A Responsive Sound Installation with Termites

Partnered: We Are All Pests, A Responsive Sound Installation with Termites

Artist Brittany Ransom writes,” You are a pest, one of the most expansive, destructive, and wasteful of creatures. Together with your own kind you will run yourselves extinct. Eventually you will run out of clean air, water, space and resources to survive.”

Her piece Partnered: We Are All Pests, explores this idea through a sonic floor installation that is a 9 foot by 9 foot pine floor that houses three termite enclosures. Each of the enclosures is filled with sculpted paper forms that are primarily made from human paper waste products (newspapers, paper cups, plates, phonebooks, copies of the artists electrical and gas bills, etc.) that are structurally similar to termite colony construction.

The termites are housed in these enclosures and naturally eat away at the paper forms. As termites consume paper, they digest them and naturally release hydrogen gas, a process which takes human wastes and transforming and recycling them into usable materials.   This process of the release of this hydrogen gas and its production through the bacteria in the termite’s body is currently being investigated as a potential source of energy by the U.S. Department of Energy.

The viewer is invited to stand, sit, or lay on the custom sonic floor.  By standing on or engaging with the piece, the sound of the termites decomposing the paper waste forms is amplified and heard acoustically by the viewers in real time. The floor becomes a sonic plane.

The piece explores levels of decay, human waste, and explores how humans can collaborate with other species to create renewable energy.   The piece recently got Honorable Mention in the Creative Divergence showcase, an online showcase of experimental creative works.  You  can read more about Ransom’s work on her website, and also see a video on Vimeo where you can hear the termites, and see individuals interacting with the work.

Image Source:
brittanyransom.com

Links:

Partnered: We Are All Pests – Video Documentation

brittanyransom.com

 

SolarSinter :  A Machine that Uses Sun and Sand for Production

SolarSinter : A Machine that Uses Sun and Sand for Production

Can sun and sand help power the future?  Markus Kayser is a designer who is interested the potential natural energy and technology and develops projects to explore current methodologies in manufacturing and the potential of new production scenarios. His latest project, SolarSinter, uses sunlight and sand as raw energy and material to produce glass objects using a 3D printing process, combining natural energy and material with high-tech production technology.  The project was setup in the desert, and explores the potential of desert manufacturing, where energy and material are in abundance.

The inspiration for SolarSinter started in 2010, when Kayser took his first solar machine the Sun-Cutter to the Egyptian desert.  The Sun-Cutter was a solar-powered, semi-automated low-tech laser cutter, that used the power of the sun to power and ‘laser’ cut 2D components out of plywood.  While working on this project, Kayser got the idea to make a new machine that would combine the potential of the sun as well as the sand.   He researched the process of 3D printing, which use laser technology and resin to create 3D objects from a powder material, and created the SolarSinter.

The SolarSinter was tested in the Moroccan desert and later in the Sahara desert near Siwa, Egypt.  Kayser was able to create some objects with his setup, and the SolarSinter presents the potential of using sun and sand for production.

Is this the power of the future?  The SolarSinter presents innovative solutions to use the abundant resources of the sun and sand offers an almost unlimited supply of silica in the form of quartz.

Image Source:
www.markuskayser.com/

Links:

www.markuskayser.com/