Author: Kbaumlier

Kristen Baumlier’s work spans the full spectrum of interdisciplinary media, including performance, interactive installation, video and audio works.
Titusville and Oil City, PA:  The Site of the First Commercial Oil Well

Titusville and Oil City, PA: The Site of the First Commercial Oil Well

Two weeks ago I went back to the Titusville/Oil City area in Western Pennsylvania.  This was my first visit to the area since a few years ago when I was doing some video shoots for my Petroleum Pop Princess projects.

Titusville is the site of the first commercial oil well, and the area where one of the first oil booms occurred.  In the late 1800s, Sir William Drake drilled for oil, and as the books say, “ the valley was never the same. “  Oil rigs popped up everywhere.

Oil City, which is nearby had many citizens who had come from Germany, and knew how to make wooden barrels.  This led to Oil City becoming the place where barrels for the oil got made, and the area became a huge producer of oil.

Both Titusville and Oil City have museums dedicated to oil history and the history of the region.  Oil is still drilled in the area – in a few wells that are in the area.

Whenever I see Oil Creek, I always think back to stories that I read that said that native Americans in the area found a gooey black substance at the edges 47 mile waterway. The black substance would be soaked up with pieces of cloth, put onto sticks and used as a mobile light source.

At the Drake Well Museum in Titusville, there is a historical reconstruction of the Drake Well, with moving and working parts.  This rig is a wooden hut structure, with a mechanism that gets oil out from the ground.  It does so while making a loud banging sound that goes off every 15 seconds.

When we were hiking in the area – we could hear the well from miles away.  It is really loud – and though I had heard it last time I was in the area, I had forgotten how loud it is.  I could only imagine how much noise pollution there would be with many wells working.

At the gift shop, I picked up some more souvenir samples of petroleum from the area.  It is not from the Drake well, but from a working well that is nearby.  If you participate in my Petroleum in Me and On Me performance next month at the Infringement Festival in Buffalo, NY – you might just win one.

How was the hike?  It was great.  We saw lots of ferns, frogs, and a raccoon.  Also four other hikers.

 

Links:

www.drakewell.org/

 

 

Kulturlabor Trial & Error – Crafts, D.I.Y. Culture and Sustainability

Kulturlabor Trial & Error – Crafts, D.I.Y. Culture and Sustainability

At Camp Pixelache in Helsinki, Finland that I attended last month I met members of Kulturlabor Trial & Error, which is a Berlin-based, non-profit organization that works with crafts, D.I.Y. culture, sustainability, arts and media.  The group calls itself  a “collective of designers and craftivists, thinkers and doers, artists and project managers” – who implement social and cultural projects. By using media, handicraft and art as tools, the group works mainly in the local community in Berlin, to experience, experiment with and exchange knowledge and skills.

At Camp Pixelache, several members of the group were there with lots of materials on hand that anyone could work with.  They also had some of their amazing publications on view.  One book is a book called Upcycle it! – A toolkit for creative recycling which gives practical information, information on different materials and interesting articles about upcycling.

Another amazing was the Recycled Creativity Festival 2011 Photobook, which was a handmade book from the Recycled Creativity Festival that was held in Berlin last year.  This yearly event celebrates upcycling and recycling – and had music, workshops, yoga, food, film, and lots of cool demos.

At the core of the festival is the idea that, “trash is not waste but the basis to develop our creativity.”    One interesting project I learned about that was at the festival was a portable T-shirt project, where any shirt is coated with a light-sensitive pigment.  A portable projection setup is used to project the image onto the t-shirt – and voila! A shirt is made.  I liked how this was setup on a cart – and could go anywhere.

Trial and Error recently got a space for workshops.  Some of the workshops they have coming up include “Make your own 100% upcycled* banner bags” – where you make bags out of old commercial banners.  Another project is “Trash of the Month,” where the presenters will check out one specific trash-material and give an upcycling workshop of how to use this material.  Past materials were bike pieces (pieces from bicycles), paper, old umbrellas, food (which included dumpster diving, candles, and some other materials.

The group has a mobile workshop wagon which is used to give workshops in public space.  The wagon was constructed out of 90% trash, sourced from the local environment

Got some trash that you don’t know what do with?  I recommend checking out the Trial and Error website, and check out their books that you can view online.

Image Source:
http://www.trial-error.org/

Links:

http://www.trial-error.org/

http://www.trial-error.org/publications

http://www.recycledcreativity.info/en/home.html

A “Collective Cake” and Local Food – Artist and Cultural Producer Milanda Sipos

A “Collective Cake” and Local Food – Artist and Cultural Producer Milanda Sipos

At Camp Pixelache, the festival/unconference event that I attended last month in Helsinki, Finland, I got a chance to talk to Melinda Sipos, who was an artist in residence in the Pixelache Micro-Residency program. Melinda is from Budapest, Hungary, and has recently been doing projects about food and sustainability.

The group Pixelache turned 10 this year – and at the event there was to be a celebration of the group turning 10 years old.  Milanda organized the creation of a “collective cake.”  For this – participants were encouraged to bring a local ingredient from our home country.  These ingredients were going to be used to create a cake.

It turned out that there were so many ingredients – that Melinda had to create a cake that was kind of like ladyfingers – and then she setup a buffet of all of the ingredients that people brought.  I brought local honey from Ohio.  There was chocolate, chocolate noodles from Germany, jellies from Finland, England, and Estonia, several bottles of alcohol, and some other ingredients.

The other project that Milanda tested out was to test a data-visualization model of the food that was served in the cafeteria on the main Pixelache day at the Arbis center, where the event was held. She developed ideas around catering. She wrote about the project, “Usually catering is considered as a necessary element of an event, but we tend to take it for granted that we are served with food and drinks. This experiment focuses on two main questions: how catering affects the ecological footprint of the whole event (especially traveling) and can we balance this out with a joint effort? In addition the goal is also to raise awareness on what we eat by providing information on the ingredients (their “stories”) and through a special arrangement in the restaurant space.”

At the event – there was an amazing carrot soup, a mushroom soup, a pasta dish with fish, and another dish that Milanda worked with the cook at the cafeteria to source out local ingredients, and to keep track of the food miles of all of the food.    I had a gluten-free version of the soup – and it was amazing.

At 4 pm – it was time for the 10 year anniversary cake.  The cake and the ingredients were put out on a table.  Everyone took some cake, and then added ingredients to the cake a la carte.  I tested 3 kinds of honeys, had some great jam, also some chocolate.  It was a nice moment of the conference – with everyone talking, eating, and gathering around the food table.

Milanda told me about some of her work at Kitchen Budapest  – a center of art and technology, and also about her new project called Based on Pig which explores food and culture.  Based on the Pig is a project that has the goal to discover the Hungarian Kitchen, especially the  eating habits of the contemporary Budapest people using artistic research methods. She and her collaborators are exploring what stories, traditions, and legends a certain food, ingredient or living creature used in the kitchen has.  Questions they are exploring include, “What information is available online about food, and what do we face in the market?” The project aims to map the cultural framework of our food-related decisions and also to do some kitchen experiments.  They kicked off the project with the ingredient of pigs.  They plan to go after many other animals and vegetables with the project.

To learn more about her work, check out  a video interview with Milanda on Vimeo that Pixelache recently posted. You also can read about the project Pig, and learn more about some Hungarian food at www.baedonpig.com/en/.

 

Links:

Milanda Sipos @ Camp Pixelache Interview – on Vimeo

www.basedonpig.com/en/

Sounds of A Healthy Landscape –  The Work of Bernie Krause

Sounds of A Healthy Landscape – The Work of Bernie Krause

A park, forest, or landscape might appear to look healthy, but what does it sound like, and how can this sound reflect the health of the wildlife?  This question is at the core of Bernie Krause, who has recorded thousands of places making what he calls “biophonies” to describe these recordings.

His natural sound recordings, also called soundscapes can show what happens to animals in stressful environments, and also show where our language comes from.

He started as a classic musician, and later became famous for introducing the Moog synthesizer in the 1960’ to bands such as George Harrison, Simon & Garfunkel and The Doors.  Each band learned how to use the moog from Kruase and his partner Paul Beaver.

When doing a recording for a album called ‘In a Wild Sanctuary,’ Krause recorded a natural soundscape as part of the orchestration of the album.    This experience inspired him to continue to record natural landscapes and sounds from that point forward.

Since 1968, he collected over 4,500 separate soundscapes from all over the world.  Many of these are considred rare, in that the locations and natural locations have disappeared since he recorded them;.

He is able to compare some of his recordings, to show the impact that our society has on nature.  For example, he recorded an area in Northern California before and after logging activities  took place. The recordings show the differences visually in a spectrogram, and also in listening.

He has recorded in the Artic, in Borneo, Zimbabwe, and the Amazon.  He also has recorded underwater, and recorded animals such as shrimp (which are very loud), and a sea anemone.  Sounds of a glacier cracking jaguars purring, and the sound of desert, forest, and other ecosystems have been recorded by Krause.

Do you hear what I hear?  You can listen to some of his recordings in the Great Animal Orchestra Youtube video, and also hear soundscapes on his website.

Image Source:
www.wildsanctuary.com

Links:

The Great Animal Orchestra – Natural Sounds by Bernie Krause Youtube Video

www.wildsanctuary.com

Rest in Piece – Good Citizen Portable Flagpole/Cart, Portable Cheesekick Contraption, Oil Rig Hangers and Oil Toybox

Rest in Piece – Good Citizen Portable Flagpole/Cart, Portable Cheesekick Contraption, Oil Rig Hangers and Oil Toybox

Part of being a mid-career artist is that you end up with lots of old projects and art in your attic, studio, and storage areas.
Over time, I decide to keep only key elements or what I think are the best pieces and move the other work out of my space.
I recently recycled some of my old set lists from performances, donated some props and costumes from shows to the thrift store, and recycled some of my old video footage tapes that were not the final masters.

Each year I seem to value space more than keeping all my old objects. This past weekend was a big project – moving out some of my old steel sculptures and objects from projects.

This past weekend I made a trip to the scrapyard and brought some of my past steel objects which included:

– My Good Citizen Portable Flagpole/ Cart – which I used to wheel around Oakland, CA in the role of Good Citizen in the Good Citizen Project in 1994
– My Portable Cheesekick Contraption – from my Buns of Butter project (where you could put a huge hunk of cheese in it – and kick it as a workout)
– My Oil Rig Hangers and Oil Toybox – from my Stretching Oil Production Installation

For my steel objects I got $48.00 –  and a bunch of space in my basement and attic.

May they rest in piece.